Сиддхартха Деб - все книги по циклам и сериям | Книги по порядку

Set in the remote, northeastern hills of India, The point of return revolves around the father-son relationship of a willful, curious boy, Babu, and Doctor Dam, an enigmatic product of British colonial rule and Nehruvian nationalism. Told in reverse chronological order, the novel examines an India where the ideals that brought freedom from colonial rule are beginning to crack under the pressure of new rebellions and conflicts. For Dr. Dam and Babu, this has meant living as strangers in the same home, puzzled and resentful, tied only by blood. As the father grows weary and old and the son tries to understand him, clashes between ethnic groups in their small town show them to be strangers to their country as well. Before long, Babu finds himself embarking on a great journey, an odyssey through the memories of his father, his family, and his nation.

India is a country where you take a nap and someone has stolen your job, where you buy a BMW but still have to idle for cows crossing your path.
In his dazzling new book Siddhartha Deb leads us into the new India through the lives of an unforgettable group of Indians: a Gatsby-like mogul in Delhi whose hobby is producing big-budget gangster films that no one sees; a wiry, dusty farmer whose village is plagued by suicides and was the epicentre of a riot; and a sad-eyed waitress named Esther who has set aside her dual degrees in biochemistry and botany to serve Coca-Cola to arms dealers at an upscale hotel called Shangri La.

Siddhartha Deb grew up in a remote town in the northeastern hills of India and made his way to the United States via a fellowship at Columbia. Six years after leaving home, he returned as an undercover reporter for The Guardian, working at a call center in Delhi in 2004, a time when globalization was fast proceeding and Thomas L. Friedman declared the world flat. Deb's experience interviewing the call-center staff led him to undertake this book and travel throughout the subcontinent.

Connecting India's tumultuous 19th and 20th centuries to its distant past and its potentially apocalyptic future, this sweeping tale of rebellion, courage, and brutality reinvents fiction for our time. Delhi, the near future: Bibi, a low-ranking employee of a global consulting firm, is tasked with finding a man long thought to be dead but who now appears to be the source of a vast collection of documents. The trove purports to reveal the secrets of the Indian government, including detention centers, mutated creatures, engineered viruses, experimental weapons, and alien wrecks discovered in remote mountain areas. Bhopal, 1984: an assassin tracks his prey through an Indian city that will shortly be the site of the worst industrial disaster in the history of the world. Calcutta, 1947: a veterinary student's life and work connect him to an ancient Vedic aircraft that might stave off genocide. And in 1859, a British soldier rides with his detachment to the Himalayas in search of the last surviving leader of an anti-colonial rebellion. These timelines interweave to form a kaleidoscopic, epic novel in which each protagonist must come to terms with the buried truths of their times as well as with the parallel universe that connects them all, through automatons, spirits, spacecraft, and aliens. The Light at the End of the World, Siddhartha Deb's first novel in fifteen years, is a magisterial work of shifting forms, expanding the possibilities of fiction while bringing to life the India of our times.

Connecting India’s tumultuous 19th and 20th centuries to its potentially apocalyptic future, this sweeping tale of rebellion, courage, and brutality reinvents historical fiction for our time: a magisterial work of shifting forms reminiscent of Cloud Atlas and Underworld.

Delhi, the near future: a former journalist goes in search of answers after she finds herself stripped of identity and citizenship and thrust into a vast conspiracy involving secret detention centers, government sanctioned murders, online rage, nationalist violence, and a figure of shifting identifies known as the “New Delhi Monkey Man.” Bhopal, 1984: an assassin hunts a whistleblower through a central Indian city that will shortly be the site of the worst industrial disaster in history. Calcutta, 1947: a veterinary student’s life and work connect him to an ancient Vedic aircraft. And in 1859, a detachment of British soldiers rides toward the Himalayas in search of the last surviving leader of an anti-colonial rebellion.

These timelines interweave to form a kaleidoscopic, epic novel in which each section is a pursuit, centered around a character who must find or recover crucial but hidden truths in their respective time. Mirroring the future and the past, these narratives illuminate and reimagine Indian identity and history. The Light at the End of the World, Siddhartha Deb’s first novel in a decade and a half, is an astonishing work that brilliantly reimagines the structure of one of the world’s oldest civilizations.